The Wassily chair, designed by Marcel Breuer in 1925 – anyone remember any ads made that year? Image courtesy of Alex Terzich.
My first love is design.
I got into advertising by accident. I was all set to become an industrial designer, when irresistable lure of Geography took me away from the path of righteousness (which is another story).
And a love of design is handy these days since it is looming ever larger in the lives of advertising people.
For one thing identity is no longer content to sit in the bottom right hand corner of the ads but demands to play a bigger role – sometimes with brilliant results (the Guardian) and sometimes in less edifying form (O2). We have to recognise that identity rich advertising is here to stay and that ads that ignore identity feel somehow distant from the brand.
We are also starting to see the value of design in-house
not just to dress up weak ideas but as a distinct practice allowing us to extend our role within Client businesses.
Finally I think we all admire the way that designers make stuff at every stage of the process when so often our ideas exist simply as words on paper right down to the point of production. Designers know that producing stuff means that they win clients over on a very emotional level.
But anyone in advertising or design that has worked closely with the other will know that a truely collaborative relationship is not easy.
Part of the problem is that, just like the relatioship between the US and UK, advertising and design are separated by a common language.